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United Kingdom 🇬🇧

Roz M

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Bio

Roz Morris is a writer, collaborator, developmental editor and ghostwriter, working in adult fiction and non-fiction, including creative non-fiction and memoir. She works with all kinds of writers – from first-timers to seasoned pros, some of whom are transitioning from other written media such as radio drama, academic writing and journalism. She does story consultancy for a variety of media, including genre publishers and games developers. She's had even longer experience writing novels and non-fiction herself and working with editors in the major publishing houses. Writing and editing has been her livelihood since 1987. Where did she learn this? First, editing and coaching debut authors for Cornerstones Literary Consultancy. Then, ghostwriting novels and memoirs for Random House and Puffin. She can’t tell you what those titles are as they’re a trade secret and she’s bound by confidentiality clauses, but this work has given her a sixth sense for the powerful stories, themes and dimensions that lurk below the waterline. Third, teaching creative self-editing masterclasses for The Guardian newspaper in London. Last but not least, writing her own novels, memoirs and writing craft books. She's still practising what she preaches, every day. Roz has also taught masterclasses for Writers & Artists and spoken at the Chartered Institute for Editing & Proofreading. She's editor-in-chief for the Alliance of Independent Authors. She's judged major writing competitions in fiction and creative non-fiction (including the Amazon Kindle Storyteller Award and the Vine Leaves Press International Voices Award). And a manuscript she doctored in its early stages went on to win the Roald Dahl Funny Prize. It's hard to get Roz away from her writing desk, but when she steps into meatworld you'll find her running, lifting weights, dancing and training her horse in classical Freanch dressage.

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As a Story Terrace writer, Roz M interviews customers and turns their life stories into books. Get to know our writer better by reading the autobiographical anecdote below!

From bust to trust – The tale of a little horse

Val was a handsome 16-hand hunter with dark squirrel eyes and an adorably dainty way of standing with his toes slightly turned out, like a ballerina, which made me want to hug him. He steered like a supermarket trolley, but was unfazed by traffic, quad bikes and lashing winter rain.

He’s a good horse, said my instructor.

So I brought Val home.

If moving home is stressful for humans, for a horse it’s like being abducted. Suddenly they are removed from every place and creature they know. They don’t even have their own rugs and tack. The seller keeps those. Imagine being kidnapped, and stripped of every familiar thing, even your clothes. Val lost it completely. He walked as if he feared the ground would crack beneath his feet. He spooked at every sound, with a violent unseating dodge like a judo throw.

With my instructor, I began a settling process. We would school him, to build trust. Also to make him comfortable, as he had the horse equivalent of terrible posture. He was obliging, but rigid with worry when asked to do something unfamiliar. He even worried about procedures he was supposed to be used to, such as when the farrier shod him. If somebody didn’t soothe him throughout the process, he’d panic and escape.

Over several months, he relaxed. I learned about his personality. Most horses I knew could be jollied past a worrying obstacle, such as a child’s tricycle. With Val, you had to pretend you couldn’t see a tricycle at all. You certainly must not laugh. If he was a person he’d never joke. He’d be absolutely earnest. But he was amazingly rewarding to ride. He looked for your wishes and took them seriously. We had hacks in blissful harmony, like a centaur. Stop, go, jump that log. It was easy.

Then I fell off.

I needed an ambulance, though I only pulled a muscle. After that, my husband Dave was terrified about the next fall and his fear rode with me. Sensitive Val received my emotions in full confusing glory. My determination to master my fear, and my fear itself.

On one ride, he seemed to be quivering with nerves. I couldn’t figure out why, but he felt, every second, like he’d throw me. Perhaps the next day would be better. It wasn’t. Within minutes he was a trembling time bomb. This couldn’t be fixed. Our chemistry had gone bad. I decided I’d stop, get off, lead him home and sell him.

He halted instantly, his mind in mine as always. So immediate and trusting. I wasn’t expecting that.

If I get off you now, I thought, I’m selling you.

He stood patiently. As if to say, I know we’ve got problems, but you’ll get us safely through.

I stayed in the saddle. I did not dismount. We rode on, quaking, but in a strange understanding.
We needed a new start. I made a change. Those last couple of rides he’d worn a waterproof rug. I blamed it for the bad rides. Perhaps the fabric made a disturbing noise. Whatever, it contained an unknowable evil and I sold it. Exorcism via eBay. I tried a warmer rug, though his previous owner never rode him in rugs, not even waterproofs. When I put the warmer rug on, he melted with relief. He was cold.

That helped considerably, though I still found him alarming. He locked up solid when we taught him a new move, which felt like a warning of emotional meltdown. ‘I trust him,’ my instructor said to me one day after a difficult, grappling lesson. I realised I didn’t trust him. And maybe, with all the faith he’d given me, I should.

Then lockdown came. Riding was allowed, because horses need exercise, but instructors were banned from working. I’ll be back when I can, said my instructor. How would I manage?

I found classical dressage videos on YouTube. I watched them every night before sleep. I learned how to ride him to reshape his muscles, like Pilates. While the world went into limbo, we worked on our own. Val relaxed at last, enjoying the focus on simple moves that made him feel good. He lost his fear of learning new things. He found a new, arched poise, and showed it off to me as if to say ‘this is how we now move, this is us’.

It turns out I was right about the evil rug. I got the same reaction with a summer fly sheet made of similar material – he trembled when he walked in it. I took it off him and it crackled like hair rubbed on a balloon. He had tolerated that for two entire rides, getting electric shocks with every stride. Many horses would have a strop or lose their minds. Not Val. I began to understand he must actually be a saint.

People now comment on how well he’s going. We all remember the days of violent spooks and panicky escapes. My farrier recently said: ‘He’s happy now. He knows where he is at last.’

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