Dettie G - StoryTerrace - Books That Matter
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Dettie G

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Dettie, writing as DG Coutinho, is an award-winning author, spoken word performer, and lifelong defender of human rights. Her writing career took flight when she won the Bloody Scotland Harvill Secker Crime Writing Award in 2021, paving the way for her twisty, satirical thriller The Light and Shade of Ellen Swithin, published in hardback in August 2024 and now out in paperback with Vintage. As a published novelist, ghostwriter, and curator, Dettie excels at crafting compelling narratives that blend imagination with lived experience. Beyond the page, she performs spoken word under the name DGC and proudly co-founded and MC’d Boisterous Ravens, a vibrant spoken word platform spotlighting Black, Brown, and Global Majority voices. In collaboration with NAZ Project London, she co-authored the children’s book Activists In Action: Prudence Mabele, celebrating the groundbreaking South African AIDS activist. Her creative work spans short stories, scriptwriting, and ongoing fiction projects, including her novel Prodigal Honey, longlisted for the Exeter Novel Prize in 2015. She is Proud of her South Asian Indian and West African heritage, she feels lucky that she is able to draw on both cultures to enrich her storytelling. When Dettie is not writing or performing, you’ll find her eating anything with cheese in it or on it, obsessing over Liverpool football club, or defending her title as a virulent coffee snob.

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As a Story Terrace writer, Dettie G interviews customers and turns their life stories into books. Get to know our writer better by reading the autobiographical anecdote below!

The evening I found out I had won the Harvill Secker Prize, remains one of those strangely suspended moments in time — a collision of disbelief, elation, and a quiet sense of something shifting permanently beneath my feet.

I was sitting staring out of my Brighton hotel window, wondering if the rainy, dark evening was worth a challenge to go see a big-screen Liverpool football match. I was mixing drinks with the ice I’d got from the bar when the unexpected phone call vibrated on the bed. I thought it was a conference colleague, so I picked up.

The voice on the other end belonged to a woman with a bright, unmistakably Scottish accent, who asked, with a polite urgency, whether I had read my emails. That question alone told me she clearly didn’t know me well — email, for me, is more of a digital avalanche to avoid than a daily practice. I confessed, somewhat evasively, that I hadn’t looked recently.

“You might want to check,” she said, her tone warm but resolutely professional.

There it was, in my inbox — the official notification informing me that I had won the Harvill Secker Prize. I read it once, too quickly to fully process the weight of the words. I read it again, more slowly, convinced I had misunderstood. Perhaps I had been shortlisted, perhaps I was a runner-up — some honourable mention to celebrate proximity rather than achievement. But the text was unambiguous.

I had won.

What struck me most in that moment was the cognitive dissonance between the ordinariness of my surroundings — the cluttered desk, the half-finished cup of tea — and the extraordinary nature of the news itself. My hands hovered awkwardly over the keyboard, uncertain of the appropriate response, either to the email or to my own sense of astonishment.

There was happiness, of course — a kind of quiet, dawning joy — but also something more complex. Winning meant visibility, expectation, the pressure to deliver on the promise of that recognition. It meant stepping into a space I had always wanted to occupy, but which now felt both exhilarating and precarious.

For the rest of the evening, in between watching my favourite team win and trying to keep it a secret as instructed, I kept returning to that email, as though the act of rereading might anchor its reality. It was, and remains, a moment of profound gratitude — not just for the prize itself, but for the validation that comes from knowing the work, at least for now, had found its audience. 

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